PhD Research Outputs

2010

Book Chapter

Barker T, “Aesthetics of the Error: Media Art, the Machine, the Unforeseen and the Errant” in Mark Nunes (ed.) Error Information, Control, and the Cultures of Noise. New York and London: Continuum, 2010.

Papers

Barker T, “The Past in the Present: Understanding the Temporal Aesthetics of David Claerbout”, Time and Society

Barker T, and Del Favero D. “Memory Processes and Frontier Technology”, War Literature and the Arts Conference, Colorado Springs, 16-18 September 2010

Del Favero D. and Barker T. “Scenario: Co-Evolution, Shared Autonomy and Mixed Reality”, IEEE International Symposium of Mixed and Augmented Reality 2010 (ISMAR2010), Seoul, Korea, 13-16 October 2010

Sridhar A., Sowmya A., and Compton P. “On-line, Incremental Learning for Real-Time Vision Based Movement Recognition”, 2010 (Accepted, pending publication)

Sridhar, A. and Sowmya, A. “Distributed, Multi-Sensor Tracking of Multiple Participants within Immersive Environments using a 2-Cohort Camera Setup”, 2010 (Accepted, pending publication)

Exhibitions

  1. Anna Davis
  2. In the Balance: Art for a Changing World, Sydney, MCA, 2010
  3. Face to Face – Portraiture in the Digital Age, Bangkok, Chulalongkorn Art Centre, 2010
  4. Face to Face – Portraiture in the Digital Age, Singapore, Nanyang Academy of Fine Arts Gallery (NAFA), 2010
  5. Face to Face – Portraiture in the Digital Age, touring exhibition by dLux media arts, venues: NSW, Newcastle Region Art Gallery, Hazelhurst Regional Art Gallery, Tweed River Art Gallery, QLD, Cairns Regional Gallery and Bundaberg Art Centre, 2009-10
  1. Bernadette Flynn
  2. Spaces of Mnajdra, AVIE, Sydney, 2010
  1. Greg Ferris
  2. The Painted Chairs, Ken Done Gallery, Sydney
  1. Stephanie Valentin
  2. Stormy Weather, National Gallery of Victoria, Melbourne, 2010
  3. The Challenged Landscape, UTS Gallery, Sydney, 2010
  4. Understorey, Devonport Regional Gallery, Tasmania, 2010

2009

Papers

Barker T, “Writing a Media Art History”, Proceedings of Writing Intersections Conference, Swinburne University, Melbourne, 2009

Barker T, “A. N. Whitehead and Digital Aesthetics”, Creative Margins Conference, Curtin University, Perth, 2009

Barker T, “Process and (Mixed) Reality: A Process Philosophy for Interaction in Mixed Reality Environments”, Proceedings of ISMAR09 International Symposium on Mixed and Augmented Reality, Orlando, 2009

Barker T, “Toward a Process Philosophy for Digital Aesthetics”, Proceedings of ISEA09 International Symposium of Electronic Art, Belfast, 2009

  1. Kenderdine S., Shaw J. and Kocsis A, “Dramaturgies of PLACE: Evaluation, Embodiment and Performance in PLACE-Hampi”, 5th Advances in Computer Entertainment Technology Conference incorporating DIMEA 2009 (3rd Digital Interactive Media Entertainment and Arts Conference), Athens, Greece, October 28–30, 2009
  2. http://www.ace-conf.org/ace2009

Kocsis A, “A phenomenological design analysis of audience experience in digitally augmented exhibitions”, selected Proceedings, Design Rigor and Relevance, International Association Society for Design Research, Seoul, 2009

Kocsis A, “Designing with the Experiential in Digitally Augmented Exhibitions”, selected Proceedings, Shifts in Art + Design Practice and Technology, Cumulus 38°, 2009

Sridhar A, and Sowmya A. “SparseSPOT: using a priori 3-D tracking for real-time multi-person voxel reconstruction”, Proceedings of the 16th ACM Symposium on Virtual Reality Software and Technology, Kyoto, Japan, 2009

Exhibitions

  1. Anna Davis
  2. Double Take: Anne Landa Award for video and new media arts, Sydney, AGNSW, 2009
  3. Angela Ferreira & Narelle Jubelin, Sydney, AGNSW, 2009
  4. Contemporary Collection: Landscape, Sydney, AGNSW, 2009
  1. Matthew McGinity
  2. LDDF:
    e-arts;
    Le havre;
    Aix;
    Le Pelanda Rome;
    CityU Alive exhibtion
  3. T_Visionarium:
    ZKM;
    Biennal seville;
    e-arts;
    Le havre;
    Aix;
    Le Pelanda Rome;
    CityU Alive exhibtion
  1. Stephanie Valentin
  2. Earthbound, Stills Gallery, Sydney, 2009
  3. Small Matters, Macleay Museum, Sydney, 2009
  4. The History of the National Photography Prize, Albury Art Gallery, Albury, 2009
  5. The Winifred Bowness Photography Prize, Monash Gallery of Art, 2009

Projects

  1. Greg Ferris
  2. Cinematography/Post-production, Re-enchantment, Dir. Sarah Gibson, Australian Broadcasting Corporation, 2009
  3. Cinematography/Post-production, Burning Daylight: Place, History, Community Project, Dir. Rachael Swain, Marrugeku, ABC TV, 2009

2008

Book Chapter

Flynn B, “Digital Interaction in Archaeology: Three Case Studies”, in New Technologies in the Archaeognostic Sciences, Ed. Ioannis Lirintzis. Greece: Gutenberg Press, 2008

Papers

Barker T, “The Error and The Event”, Vector (e-zine), Errors and Glitches Issue, July, 2008. (Solicited Article)

Flynn B, “The Navigator’s Experience: An Examination of the Spatial in Computer Games”, The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics, McFarland and Co. 2008 (Refereed)

Flynn B, “Augmented Visualisation: Designing Experience for an Interpretative Cultural Heritage”, Proceedings of the 12th International Conference on Information Visualisation, South Bank University, London, 2008

Flynn B, “Intangible Matter and the body”, International Journal of Digital Culture and Electronic Tourism, Vol 1, Nos 2/3. 2008

Kocsis A. and Barnes C. “Making Exhibitions, Brokering Meaning: Designing new connections across communities of practice”. In Undisciplined! Proceedings of the Design Research Society Conference 2008. Sheffield Hallam University, Sheffield, UK. 16-19 July 2008

Sridhar A. and Sowmya A. “Multiple Camera, Multiple Person Tracking with Pointing Gesture Recognition in Immersive Environments”, Proceedings of the 4th International Symposium on Advances in Visual Computing, Las Vegas, NV, 2008. Lecture notes in Computer Science, Vol. 5358, p508-519

Walsh S, “Warrior Worriers and Babbling Battlers: Representations of Combat Trauma in the American War Film”, XIV Biennial Conference of the Film and History Association of Australia and New Zealand, Dunedin, University of Otago, 27 – 30 November 2008

Exhibitions

  1. Anna Davis
  2. Mirror States, Sydney, Campbelltown Art Gallery, 2008
  3. Intimacy, Sydney, Ivan Dougherty Gallery, 2008
  4. Intimacy, Hobart, Plimsoll Gallery, 2008
  5. Mad Racket, Sydney Festival, Sydney, Barracks, 2008
  6. Kiss Club, Sydney, Bill & George, 2008
  1. Stephanie Valentin
  2. Flora: Still Life Moving Fast, Hazelhurst Regional Gallery, Sydney, 2008

Projects

  1. Greg Ferris
  2. Cinematography/Post-production, My favorite Australian, Dir. Merilyn Fairskye, 3 x shorts produced for the Australian Broadcasting Corporation and the National Portrait Gallery, 2008
    http://www.abc.net.au/tv/myfavouriteaustralian/
  3. Cinematography/Post-production,land(sound)scape, Josephine Starrs & Leon Cmielewski. SBS TV, 2008
  4. Cinematography/Post-production,The Meaning of Moorabbin Is Open For Inspection, NYID and David Pledger, Melbourne Festival, 2008
  5. Cinematography/Post-production,Sphinx Sandcastle Project, COFA, 2008
  6. Cinematography/Post-production,The Ground, The Air, SBS TV, 2008

2007

Papers

Barker T, “Adapting a Model of Duration: The multitemporality of T_Visionarium II”, M/C Journal, Adapt Issue, May 2007

Barker T,“Error, the Unforeseen, and the Emergent: The Error and Interactive Media Art”, M/C Journal, Error Issue, 10, no. 5, October 2007

Davis A, “Tracking, Imaging and Imagining the Invisible: Media arts response to mediatised life”, RealTime: a critical guide to international contemporary arts, Issue 78, April/May 2007

Devine K, “Place and Time: Creating contextualised presence for virtual heritage”, Proceedings of 13th Annual Virtual System and Multimedia Conference, Brisbane, 2007

Flynn B, “Digital Knowledge as Archaeological Spatial Praxis”, in 13th International Conference on Virtual Systems and Multimedia, QUT, Brisbane, 2007

Flynn B, “Somatic Knowledge and Simulated Spaces” in Proceedings of the 11th Archaeology and Computer workshop, Cultural Heritage and New Technologies, Eds. W. Borner and S Uhlirz, Stadtarchaologie, Vienna, 2007

Flynn B,“Intangible Matter and The Body” in International Journal of Digital Cultural Heritage and E-Tourism, special issue: Digital Matter and Intangible Cultural Heritage (InderScience Publishers Ltd.) 2007 (Submitted refereed journal article)

Kocsis A, “Brokering Meaning with Design: Working across communities of practice ”, selected Proceedings, 13th Annual Virtual System and Multimedia Conference, Brisbane, 2007, Lecture Notes in Computer Science, Publisher Springer Berlin/Heidelberg. (Best Paper Award)

Kocsis A, “Unraveling Information and Crocheting Meaning: Designing with complex information for museum audiences”, selected Proceedings, Emerging Trends In Design Research, International Association Society for Design Research, Hong Kong, 2007

Flintham M, Smith K, Benford S, Capra M, Green J, Greenhalgh C, Wright M, Adams M, Tandavanitj N, Farr J, Lindt I, “Day of the Figurines: A slow narrative-driven game for mobile phones using text messaging”, Proceedings of PerGames, International Symposium on Pervasive Gaming Applications, Salzburg, 2007

McGinity M., Shaw J., Del Favero D., and Kuchelmeister V. ”AVIE: A Versatile Multi-User Stereo 360-Degree Interactive VR Theatre”, The 34th International Conference on Computer Graphics and Interactive Techniques, SIGGRAPH 2007, San Diego, USA, 5-9 August 2007

Exhibitions

  1. Gail Kenning
  2. Twenty/20 Vision, NSW Parliament House, Sydney
  1. Anita Kocsis
  2. The Universe in a Virtual Room, Museum Victoria, Melbourne
  1. Susan Norrie
  2. Australian Representative, Venice Biennale
  1. Stephanie Valentin
  2. Signs of Truth: Photography and Science, Altana Gallery, Dresden

Projects

  1. Greg Ferris
  2. Burning Daylight, film, theatre experimental hybrid, 2007

2006

Papers

Barker T, “The Affect of Deep Sleep within Duration: Temporality, narrativity and interactivity within the affective medium of interactive cinema”, Proceedings of Art Association of Australia and New Zealand Conference, Melbourne, 2006

Barker T, “Pentimento, Past, Present and Future: An interactive construction of memory”, Proceedings of Rethinking the Past Conference, University of Technology, Sydney, 2006

Davis A, “Creating a Social Anxiety Interface in the Artwork In the House of Shouters…”, Proceedings of Engage IAAE, Creativity and Cognition Studios, University of Technology, Sydney, 2006

Davis A, “Social Anxiety and the Digital Encounter”, Proceedings of Art and Politics Postgraduate Conference, College of Fine Arts, University of New South Wales, Sydney, 2006

Flynn B, “Prehistoric Archaeology in a Dynamic Spatial Visualization Environment”, in Digital Cultural Heritage – Essential for Tourism Proceedings of the 1st EVA 2006 Vienna Conference, Oesterreichische Computer Gesellschaft, Vienna, 2006

Exhibitions

  1. Anna Davis
  2. Twenty/20 Vision, NSW Parliament House, Sydney
  3. A/proxy[mate] Encounters, Ivan Dougherty Gallery, Sydney
  1. Gail Kenning
  2. Process, Mai’s Gallery, Ho Chi Minh City
  1. Keir Smith
  2. Oh So Criminal, Transmediale 06, Berlin
  1. Stephanie Valentin
  2. Ether, Stills Gallery, Sydney

Projects

  1. Greg Ferris
  2. Eavesdrop, Conversations, Glasshouse, Pentimento, Dead Heat, Deep Sleep, Limbo, iCinema Digital Monographs 2, iCinema Centre for Interactive Cinema Research, 2006
  3. Ferris G and Egan J, Spirit of the Ashes, book and DVD, Wilkinson, Melbourne, 2006
  4. Fairskye M, Stati d’Animo, film post-production, Australian Film Commission, 2006
  1. Keir Smith
  2. Day of the Figurines, Mixed Reality Laboratory, University of Nottingham, 2006

Software Development

  1. Keir Smith
  2. Day of the Figurines, Context-aware automated SMS generation and delivery system, Mixed Reality Laboratory, University of Nottingham, 2006
  3. Day of the Figurines, Narrative engine and game board virtualisation system, Mixed Reality Laboratory, University of Nottingham, 2006

Visits

  1. Keir Smith
  2. Guest researcher, Mixed Reality Laboratory, University of Nottingham, 2006

2005

Book chapter

  1. Flynn B, “Docobricolage in the Age of Simulation”, in The Spectacle of the Real: From Hollywood to ‘Reality’ TV and Beyond, Intellect/ International Specialized Book Service Inc, Bristol, UK, 2005

Papers

Davis A, “Performing Social Anxiety in the Artwork In the House of Shouters…”, School of Media, Film & Theatre, University of New South Wales, Sydney, 2005

Davis A, “Mobilising Phone Art”, RealTime: a critical guide to international contemporary arts, Issue 66, April/May 2005

Flynn B, “Games for Cultural Heritage”, in Proceedings of the IADIS International Conference e-Society 2005, IADIS Press, Portugal, 2005

Flynn B, “Imaging gameplay – the Design and Construction of Spatial Worlds”, in Imaginary Worlds – Image and Space International Symposium. Symposium Proceedings, University of Technology, Sydney, 2005

Flynn B, “Imaging gameplay – Podcast presentation”, in Imaginary Worlds – Image and Space International Symposium podcasts, University of Technology, Supernova web site, 2005

Flynn B, “Exploration of Maltese prehistoric temples through the application of Multimedia Technologies”, in Mediterranean Archaeology and Archaeometry, vol.5, no.2, University of the Agean, Department of Mediterranean Studies, Rhodes, Greece, 2005 (Refereed)

Flynn B, “Gameplay as interpretative cultural heritage”, in IADIS international journal on WWW/Internet, vol.3, no.2, IADIS (international Society for the development of the information society), Portugal, 2005

Kenning G, “Generative Art Practice”, Creativity & Cognition Studios, University of Technology, Sydney, 2005

Jin C, Tan T, Kan A, Lin D, van Schaik A, Smith K, McGinity M, “Real-time, Head-tracked 3D Audio with Unlimited Simultaneous Sounds”, Proceedings of ICAD 05, International Conference on Auditory Display, Limerick, 2005

Kan A, Tan T, Jin C, Lin D, van Schaik A, Smith K, McGinity M, “3DApe: A real-time 3D Audio Playback Engine”, Proceedings of AES 2005, Audio Engineering Society Convention, Barcelona, 2005

Walsh S, “Friendly Fire: Epistolary voice-over in Terrence Malick’s The Thin Red Line”, Literature Film Quarterly, 33:4, October 2005

Exhibitions

  1. Anna Davis
  2. Biohead Karaoke, Museum of Contemporary Art, Sydney
  1. Gail Kenning
  2. Pattern as Process, 24Hr Art, Darwin
  3. Sydney Art Fair, Careen Furner Fine Art, Sydney
  1. Keir Smith
  2. Biloela Girls, Cockatoo Island Festival, Sydney
  1. Stephanie Valentin
  2. Nature by Proxy, Sydney

Projects

  1. Greg Ferris
  2. Buried Alive, documentary production, Australian Broadcasting Corporation, 2005
  1. Keir Smith
  2. Dreyfuss E, Weight and Sea, 2005

2004

Papers

Davis A, “Altered States: Perceptual Difference Conference at Biennale of Electronic Arts, Perth”, RealTime: a critical guide to international contemporary arts, Issue 63, October/November 2004

Davis A, “Emerging New Media Artists: Well taught, self-taught and still learning”, e-Performance and Plug-ins, A Mediatised Performance Conference, RealTime: a critical guide to international contemporary arts, Issue 62, August/September 2004

Kenning G, “Pattern as Process”, COFA, College of Fine Arts, Sydney, 2004

Smith K, Hagen P, “Informing the Everyday Interface: Exploring user-content relationships in interactive art,” Proceedings of Interaction: Systems, Practice and Theory, Sydney, 2004

Smith K, “From Transmission to Multiplicity: Interactive art installations as a site for research”, Proceedings of ACM MM04, ACM Multimedia, New York, 2004

Walsh S, “Speaking Out Of Line: Voice-over in war films”, Proceedings of War in Film, Television, and History, Texas, 2004

Walsh S, “The Indelible Date – A program of short national and international films created in response to September 11, 2001”, COFA, College of Fine Arts, Sydney, 2004

Walsh S, “Foreign Correspondents: Female epistolary voice-over in war films”, Proceedings of Sounding Out 2, Nottingham University, Nottingham, 2004

Exhibitions

  1. Anna Davis
  2. The Art of Video, Ragghianti Foundation, Lucca
  1. Gail Kenning
  2. Difference in Repetition, Mai’s Gallery, Ho Chi Minh City
  3. Ultimo Project Open Studio, Biennale of Sydney, Sydney
  4. Work of Art, Art of Work, Broadway, Sydney
  5. Stock Show, Careen Furner Fine Art, Sydney
  6. Affordable Art Show, Sydney
  1. Susan Norrie
  2. Undertow, Gus Fisher Gallery, Auckland
  3. Enola, Cinema Capacete, Rio de Janeiro
  4. Plug-In, Futura, Prague
  5. On Reason and Emotion, Biennale of Sydney, Museum of Contemporary Art, Sydney
  6. Living together is easy, Art Tower Mito Museum, Melbourne
  1. Stephanie Valentin
  2. Fathom, Stills Gallery, Sydney
  3. Interest in Life 02, Hartmann AG, Heidenheim

Projects

  1. Anna Davis
  2. FutureScreen Mobile, Metroscreen, Sydney Film Centre, 2004
  1. Greg Ferris
  2. Fairskye M, Connected, film post-production, 2004
  3. Norrie S, Enola, installation project, 2004
  1. Keir Smith
  2. Wallworth L, Still: Waiting, 2004
  3. Conversations, iCinema Centre for Interactive Cinema Research, 2004

Software Development

  1. Keir Smith
  2. Conversations, Video tagger, iCinema Centre for Interactive Cinema Research, 2004
  3. Conversations, Spatial sound playback engine, iCinema Centre for Interactive Cinema Research, 2004
  4. Conversations, 3D sound trajectory authoring environment, iCinema Centre for Interactive Cinema Research, 2004

Visits

  1. Anna Davis
  2. New Media Art Consultant, RealTime Writer’s Workshop, Biennale of Electronic Arts Perth (BEAP), Perth, 2004
  3. 3 week Residency, Performance Space, Sydney, 2004

h1. 2003

Papers

Davis A, “RUN_WAY an emerging artist initiative”, RealTime: a critical guide to international contemporary arts, Issue 57, October/November 2003

Davis A, “In the DEAF03 playground, the Dutch Electronic Art Festival”, RealTime: a critical guide to international contemporary arts, Issue 56, August/September 2003

Davis A, “Rotterdam: New media pleasure and pain”, RealTime: a critical guide to international contemporary arts, Issue 54, March/April 2003

Kenning G, “Immanence of Lace”, COFA, College of Fine Arts, Sydney, 2003

Smith K, “Rewarding the Viuser: A human-televisual data interface application,” Proceedings of VSMM 2003, Virtual System and Multimedia Conference, Montreal, 2003

Exhibitions

  1. Anna Davis
    Plaything: International Digital Games Art Exhibition, University of Sydney, Sydney
  2. VideoFormes, Clermont-Ferrand, Paris
  3. Sculpture 2003, PCL Exhibitionists, Sydney
  1. Gail Kenning
    Reverb, Mai’s Gallery, Ho Chi Minh City
  2. Femme Fatale, Warehouse Space, Sydney
  3. Affordable Art Show, New York
  1. Anita Kocsis
  2. National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
  1. Susan Norrie
  2. Undertow, Art Gallery of New South Wales, Sydney
  3. Notes from Underground, Museum of Contemporary Art, Sydney
  4. Eddy, Lawrence Wilson Art Gallery, Sydney
  5. Bloom: Mutation, Toxicity and the Sublime, Govett-Brewster Gallery, New Plymouth
  6. Face Up, Nationgalerie im Hamburger Bahnhof, Berlin
  1. Stephanie Valentin
  2. Galerie f5.6, Munich
  3. Firstimpressions – Contemporary Australian Photograms, National Gallery of Victoria, Melbourne
  4. Pollinate, Still Gallery and Moore Gallery, Sydney

Projects

  1. Anna Davis
  2. Plaything: International Digital Games Art Symposium and Exhibition, The University of Sydney, 2003
  1. Greg Ferris
  2. To Pussytown and Back, video production for MGF, 2003
  3. Norrie S, Passenger, installation project, 2003
  1. Keir Smith
  2. T_Visionarium I, iCinema Centre for Interactive Cinema Research, 2003

Software Development

  1. Keir Smith
  2. T_Visionarium I, Video tagger, iCinema Centre for Interactive Cinema Research, 2003

Visits

  1. Anna Davis
  2. 3 week Residency, Performance Space, Sydney, 2003
  3. Dutch Electronic Art Festival (DEAF), 2003
  4. V2, Institute for Unstable Media, Rotterdam, 2003
  5. Montevideo Time Based Arts, Netherlands Media Art Institute, Amsterdam, 2003
  6. World Wide Video Festival, Annual International Media Arts Festival, Amsterdam, 2003

2002

Papers

Walsh S, “The Efficacy of Voice-Over in Representing Truth, Guilt and Self-Identity in War Films", Proceedings of Film and History, Art Association of Australia and New Zealand, 11th Biennial Conference, Flinders University, Adelaide, 2002

Exhibitions

  1. Gail Kenning
  2. Hue, Gallery 4a, Sydney
  3. Ultimo Project Open Studios, MASCON Festival and Biennale of Sydney, Sydney
  4. Art + About, Ultimo Project, Sydney
  5. Gallery 4a Xmas Show, Gallery 4a, Sydney
  6. Nikon Summer Show, CCP, Melbourne
  1. Susan Norrie
  2. Undertow, Australian Centre for Contemporary Art, Sydney
  3. Fieldwork Australian Art 1968-2002, National Gallery of Victoria, Melbourne
  4. Step, CCNOA and Robert Preece Projects, Brussels
  5. Future Cinema, ZKM Centre for Art and Media, Karlsruhe, Kiasma Museum of Contemporary Art, Helsinki, ICC-Intercommunication Centre, Tokyo
  6. Face Up, Nationgalerie im Hamburger Bahnhof, Berlin
  1. Stephanie Valentin
  2. Galerie f5.6, Munich
  3. (Con-cord), South Australian School of Art Gallery, Adelaide
  4. Ulrick Schubert Photographic Art Award, Gold Coast Art Gallery, Gold Coast
  5. MAKEbelieve – Photographic Fictions, Sir Hermann Black Gallery, Sydney
  6. The Year in Art, SH Ervin Gallery, Sydney

Projects

  1. Greg Ferris
  2. Norrie S, Undertow, installation project, Australian Film Commission, 2002

Visits

  1. Keir Smith
  2. Guest researcher, ZKM Centre for Art and Media, Karlsruhe, 2002